The Museum of Buddhist Art – A Rare Collection
of Buddha Statues
By
Eric Lim
The Museum of
Buddhist Art in Bangkok is reputed to have the
biggest collection of Buddha statues, sculptures
and figurines based on Buddhist art work from
kingdoms dating back to the 6th century AD. The
exhibits reflect the cultural heritage of the
various kingdoms in Thailand and neighboring
kingdoms as well.
Visitors to the
Museum of Buddhist Art are usually advised to
start their tour in an annex to the main
building that houses the Kuan Yin Palace and
Museum which displays statues of Kuan Yin, the
Goddess of Mercy. The courtyard outside this
museum has six miniature wooden palaces housing
Chinese deities.
The main theme of
the Museum of Buddhist Art, however, is housed
in eight rooms upstairs in the main building
displaying Buddha statues, sculptures and
figurines from the different kingdoms that had
an impact on Thai art and culture.
The various
schools of Buddhist art of each era blended with
the previous and added its distinct touch.
Detailed explanations are provided for the
Buddha statues, their characteristics, different
postures and subtle variations in the folds of
the robes.
The museum is a
useful source of knowledge for the scholar of
Buddhist art and Buddha sculptures. The casual
visitor, seeking an overview of an important
aspect of Thai culture, would find this museum
interesting as well.
Buddhist art
from the various kingdoms displayed in the
Museum of Buddhist Art
Dvaravati art
(6th – 11th centuries AD)
Dvaravati art is
based on the culture of the United Kingdom of
Dvaravati in Nakhon Phahom, Central Thailand
established by the Mon from Burma. The Buddhist
art work of this period is based on the Southern
India and Sri Lanka models.
Srivijaya art
(7th – 14th centuries)
The Srivijaya
kingdom covered Sumatra, Java, the Malay
Peninsula and Southern Thailand, right up to
Surat Thani and Nakhon Sri Thammarat. The art
form from this era had a rich mix of Indian,
Khmer, Sri Lanka, Java and Sumatra cultures.
Khmer art
(11th - 19th centuries)
From 6th – 14th
centuries, the Khmer Empire in Cambodia ruled
over Laos and northeastern Thailand (Isarn).
Khmer art was to have an enduring legacy on
Buddhist art work for centuries to come.
Burmese art
(11th - 19th centuries)
Burmese art
evolved from the various ethnic groups in the
ancient Burmese kingdom of Pagan. The Burmese,
Mon, Arakan, Tai-yai kingdoms developed Buddhist
art during their respective reigns. All these
groups had an influence on Thai art.
Sukhothai art
(13th – 15th centuries)
Art flourished in
the Sukhothai Kingdom under the reign of King
Ramkhamhaeng. Classic Sukhothai art soon emerged
from the Khmer influence and established its
unique style.
Ayuthaya art
(1350 – 1767)
The exhibits on
Ayuthaya art in the Museum of Buddhist Art
represents the longest period in Thai art. Pre-Ayuthaya
art was a combination of Khmer art of the Bayon
period (the Bayon temples in Cambodia) and
Dvaravati art, a mixture which was known as U
Thong Art.
The establishment
of Ayuthaya produced a blend of Khmer and
Sukhothai styles which gradually evolved into
its own distinctive character in the 16th
century.
Lanna art
(13th - 20th centuries)
The Lanna kingdom
(Land of a Million Fields) was established by
King Mengrai in northern Thailand in 1296. Pure
Lanna art developed when the kingdom was
independent. Lanna came under Burmese rule and
later under Thai rule. The Buddha statues during
these periods had their subtle differences.
Lan Xang art
(14th – 18th centuries)
The Lan Xang
kingdom (Land of a Million Elephants) was
founded by King Fah Ngum in the 14th century
after the fall of Sukhothai. The kingdom covered
present day Laos and parts of northeastern
Thailand. King Fah Ngum made Buddhism the state
religion and so began an art form that also left
its mark on Buddhist art.
Thonburi art
(1767 – 1782)
Thonburi art had
a brief period as the kingdom lasted for only 15
years.
Rattanakosin
art (1782 – present)
What followed was
Rattanakosin art of the modern Bangkok era. The
Buddha statues and sculptures during the reign
of the Chakri Kings developed a distinct
identity of their own.
The other eight
rooms in the Museum of Buddhist Art are not
directly related to the central theme but are
equally interesting. These cover artifacts from
the pre-historic Ban Chiang culture, Yao
paintings, stone sculptures.
An unusual set of
exhibits in this museum is the room displaying
statues of Jesus Christ and Mother Mary, a
reflection of the religious tolerance in
Buddhist society.
The Museum of
Buddhist Art embodies not just the art and
culture evolved for more than a millennium
through the rise and fall of several kingdoms.
It symbolizes the philosophy of moderation and
tolerance, values that serve as a beacon of
light in these troubled times.
For more Bangkok
Museums.
The Museum of
Buddhist Art first appeared in Tour Bangkok
Legacies a historical travel site on people,
places and events that left their mark in the
landscape of Bangkok.
The author Eric
Lim, a free-lance writer, lives in Bangkok
Thailand.
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http://EzineArticles.com/?expert=Eric_Lim